The Jump That Made LA Pause

The artwork is printed on 310 gsm 100% cotton rag archival stock using genuine Epsom ultra-chrome pro pigment inks on an inkjet printer. Using pigment-based ink has a significantly expanded gamut and reduces metamerism effect allowing colour reproduction accuracy. They are archival quality and guaranteed not to face or bleed for up to 100 years. It is the industry standard in galleries and museums across the world.

If framing the print, the artwork is hand cut and carefully assembled in Melbourne. Timber mouldings are hand crafted from locally sourced, sustainable and FSC certified Victorian Ash and Tasmanian Oak. The timber is milled, hand sanded and painted. The back of the frame is finished with framer’s tape and stainless steel hanging wire.

The artwork is setback from a durable 3mm plexiglass, a lightweight,, shatter-proof, museum-grade alternative to glass, which protects the work from UV damage and fading over time.

The Giclée print is dry mounted to an archival 5mm foam board using acid free adhesive film.

The artwork is wrapped and packed in a custom made, double wall cardboard packaging then shipped express (complimentary) using fully trackable, 100% carbon neutral courier services.

Your order is printed, framed and shipped within 14 days. All work is insured against loss or damage.

*Print-only orders are shipped in a tube.

Framed works are not available for international delivery. Please consider purchasing a print alone and take control of framing yourself.

Please note, all sales are final and your order cannot be refunded. Every print is custom made on a per order basis so please choose carefully and check that all the details are correct before submitting an order.

All pieces are fully insured for damage during delivery. Though rare, from time to time it does happen. Please notify me within 2 days of receiving your package so that I can submit a claim to the courier company. Include photos of the damage to the frame and photos of the packaging.